Like
Palma, in Tomasi's world Santa Margherita also represents feudal
Sicily, but it doesn't bear the austere mark of his father's authority;it
is instead linked to the happy memoriesof his childhood and to his
dearly beloved mother, Beatrice Tasca Filangeri di Cutò,
whose family was the proprietor of the palace where Giuseppe used
to spend his summer as a child and teenager and on which he partly
modelled the house in Donnafugata where some memorable scenes of
The Leopard are set. That Santa Margherita is the place which, in
Tomasi's imagery, is most linked to his mother's welcoming arms
is magically confirmed by water, the pre-eminent symbol of femininity
and fertility, which by flowing in a suterranean canal near the
palace allows the existence of its luxuriant park, an unexpected
materialization, under the dazzling sun, of a shady oasis and of
the benign spells Sicily is capable of.